Visions Of Dennis Brown (Vinyl LP)

329 SEK
Tracklist ▼
  1. A1. Deliverance Will Come
    A2. Oh Mother
    A3. Love Me Always
    A4. Concrete Castle King
    A5. Malcolm X
    B1. Repatriation
    B2. Jah Can Do It
    B3. Milk And Honey
    B4. Stay At Home
    B5. Say What You Say

A1. Deliverance Will Come
A2. Oh Mother
A3. Love Me Always
A4. Concrete Castle King
A5. Malcolm X
B1. Repatriation
B2. Jah Can Do It
B3. Milk And Honey
B4. Stay At Home
B5. Say What You Say

Format: LP
Cat No: JGMLP3

Following a series of early single releases for various Jamaican engineers and producer Niney The Observer, singer Dennis Brown entered a particularly prolific partnership with producer Joe Gibbs. The two worked together from the mid-'70s to the early '80s. Visions (1977) presents Brown as a roots-based singer with major crossover potential. The smooth, reassuring quality of his voice and his comfortable range would seem to make him the obvious choice for an American label seeking an international success story. Brown's subject matter spans the spectrum of Rasta concerns, detailing economic suffering, African oppression, deep religious conviction, and a strong political consciousness. The potency of such themes is tempered only by the inevitable lovers rock of "Love Me Always" and a take on Ray Charles' "This Little Girl of Mine." Throughout, Brown delivers pleas to his people to follow the virtuous path. It's a sentiment that becomes particularly poignant with "Stay at Home," the tale of a young runaway.

Carrying the musical weight is a typically seasoned set of session players including appearances by the dream horn team of Bobby Ellis (trumpet), Vin Gordon (trombone), Herman Marquis, and Tommy McCook (saxophones). Though the musicians rarely extend themselves (preferring to stay respectably anonymous), their effortless flexibility is well suited to Brown's polished delivery. They soak songs like "Oh Mother" and "Malcolm X" in the sadness of the blues and provide the lighter material with the appropriate lift.

Two years down the road, Brown would score a hit with "Money in My Pocket." At the start of the 1980s, the singer's albums would find U.S. release through A&M. Like many of Jamaica's most promising stars, however, the singer's music was largely mishandled, suffering from poor promotion. Visions, however, finds him in his prime and on the verge of the international success he deserved.

Condition
Media: Mint (M)
Sleeve: Mint (M)

Our Grading Standards
We grade all vinyl using the Goldmine standard:
Mint (M): Perfect, unplayed condition.
Near Mint (NM): Nearly perfect with minimal signs of handling.
Very Good Plus (VG+): Shows light signs of play but plays with minimal surface noise. The most common grade for collectable vinyl.
Very Good (VG): Noticeable marks and some surface noise, but still an enjoyable listen.
Good (G): Heavy wear — for collectors only.

All records are graded visually and by play. Media and sleeve are graded separately.

About Peckham Soul

Visit our physical store at Linnégatan 2, 413 04 Göteborg.
Mon–Tue 11:00–18:00 · Wed–Thu 11:00–18:30 · Fri 11:00–20:30 · Sat 11:00–17:00 · Sun Closed.

We're a specialist vintage vinyl shop with roots in Peckham, London. From our Swedish store we ship across Europe and the EU. Every record in our collection is individually sourced, inspected, and graded. We stock soul, funk, jazz, reggae, punk, indie, psych and beyond — always original pressings, always honestly described.

Shipping & Returns
We ship carefully packed in rigid mailers to protect your record in transit. If a record arrives not as described, we'll sort it — no hassle.

More titles...Reggae & Ska