Top Ranking Dillinger (Vinyl LP)

One of Jamaica's most popular "deejays" or rappers, Dillinger was one of the few Jamaican sound system toasters to rise to international prominence as a recording artist during the mid-1970s. Born Lester Bullocks in 1953, he was raised by his grandmother in a peripheral neighbourhood located on the outskirts of Kingston.

After moving into a tough ghetto area in western Kingston, he became a protégé of Dennis Alcapone, the star deejay on an influential set called El Paso, and was known as Young Alcapone until the maverick producer Lee "Scratch" Perry renamed him Dillinger, cutting a dozen or so tracks at Dynamic Sounds studio in 1973, of which the most noteworthy was "Dub Organiser," which saluted King Tubby and his sound system.

Recordings for Phil Pratt, Augustus Pablo, The Abyssinians and GG Records led to an impressive album for Studio One, but it wasn't until he began recording for Ossie Hibbert and Joseph Hoo Kim at Channel One that the world took notice, following the dramatic success of Island's CB200 album and its break-though hit, Cokane In My Brain.

The album Top Raking Dillinger was produced by Bunny Lee in 1977 and sees the toaster in fine rapping form over some of Lee's toughest contemporary rhythms, including Ronnie Davis' Hard Times for Rat A Cut Bottle and Johnny Clarke's update of Alton Ellis' Cry Tough for Ranking Of The Past.

There are also roots mutations of past classics, including Cornell Campbell's take of Bob Marley's War for War Is Not the Answer, Johnny Clarke's version of Waiting In Vain for the cheeky Check Sister Jane, a cut of The Silvertones' Smile as Three Mile Rock, a horns-laden take of the perennial Get Ready as Judgement Day Rock and a version of Melody Life as Don't Watch Your Wife.

Condition
Media: Mint (M)
Sleeve: Mint (M)

Our Grading Standards
We grade all vinyl using the Goldmine standard:
Mint (M): Perfect, unplayed condition.
Near Mint (NM): Nearly perfect with minimal signs of handling.
Very Good Plus (VG+): Shows light signs of play but plays with minimal surface noise. The most common grade for collectable vinyl.
Very Good (VG): Noticeable marks and some surface noise, but still an enjoyable listen.
Good (G): Heavy wear — for collectors only.

All records are graded visually and by play. Media and sleeve are graded separately.

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