Heavy Way (Vinyl LP)
Tracklist ▼
- Ameagari (After The Rain)
- Semai Boku No Heyade (In My Small Room)
- Ososugite (Too Late)
- Miyo Chan
- Oraga Murano Soncho San (Our Village Chief)
- Resutoran (Restaurant)
- Natsu (Summer)
- Chikan No Uta (Molester Song)
- Hitoribotchi (On My Own)
A long-lost Japanese acid folk gem, Niningashis 1974 private press debut Heavy Way shimmers with originality, deft song writing and a dream-like groove.
Although he was training as a pharmacist, Kazuhisa Okubo was much more interested in prescribing musical medicine.
A coming-of-age album, Heavy Way captured a turning point in Okubos life, and Japanese society more widely as a nostalgia for the pastoral calm of the traditional life, met the cosmopolitan thrill of coffee, sex and cigarettes in the big city.
Intoxicated by Tokyo, driven by a passion for music and surrounded by a thriving acid folk scene, the young student filtered his experiences through a psychedelic cocktail of soulful influences from the US and Japan.
Niningashi was his first band, and Heavy Way was their only album. It was honest and raw, deep and strangely funky, in an off-beat kind of way. Across nine tracks, Okubo and the 6-piece band put their own spin on the new folk sound of Japan, combining witty lyrics with electric guitar-driven solos and crisp, understated grooves.
Melancholy and profound, opening track Ameagari feels like a synthesis of Harvest-era Neil Young and Haruomi Hosonos Happy End. Then theres the whimsical washboard country sound of Semai Boku No Heyade; the moody, low-lit charm of Restaurant; and Hitoribotchi, a sensitive portrayal of childhood, steeped in memories of rainfall that will resonate with fans of Woo and Mac Demarco.
While Okubo would go on to taste success with psychedelic folk bands Neko and Kaze, the latter of which scored three #1 albums, little is known about his mysterious debut with Niningashi.
Self-released by Okubo in 1974, and featuring album artwork by his brother, it has slowly generated a cult following online, intrigued by its soft and enchanting sound. So few records were ultimately pressed that those remaining have fetched up to £1,500 online.
Featured on Time Capsules era-spanning collection Nippon Acid Folk, Niningashis Heavy Way is a deep-cut grail of a vibrant time in Japans musical history, where even the pharmacists were making jams.
Condition
Media: Mint (M)
Sleeve: Mint (M)
Our Grading Standards
We grade all vinyl using the Goldmine standard:
Mint (M): Perfect, unplayed condition.
Near Mint (NM): Nearly perfect with minimal signs of handling.
Very Good Plus (VG+): Shows light signs of play but plays with minimal surface noise. The most common grade for collectable vinyl.
Very Good (VG): Noticeable marks and some surface noise, but still an enjoyable listen.
Good (G): Heavy wear — for collectors only.
All records are graded visually and by play. Media and sleeve are graded separately.
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