Doin' The Thang! (Vinyl LP)

299 SEK
Tracklist ▼
  1. The Thang
  2. Ihci Ban
  3. The Orient
  4. Let's Get Down
  5. Prelude To A Kiss
  6. 1239-A
Format: LP
Cat No: 9999999

Ronnie Mathews' first session as a leader appeared in the jazz racks in the '60s, it would have been logical to assume that he was providing funky, down-home, R&B-drenched soul-jazz. Doin' the Thang sounds like the title of a soul-jazz release; also, one of the tracks is titled "Let's Get Down." And when jazz improvisers used that much African-American slang in the '60s, it often meant that they were going after the soul-jazz/organ combo market (which was relatively lucrative at a time when commercially, jazz had lost a lot of ground to rock and R&B).

But this 1963 session is more than soul-jazz. Rather, the LP's focus is modal post-bop and hard bop. But even though the material isn't soul-jazz, Mathews' quintet is certainly soulful. That is true on "The Thang" (a blues) as well as two Asian-influenced post-bop offerings that Mathews wrote: "The Orient" and "Ichi-Ban."

There's no shortage of soulfulness on the acoustic pianist's interpretation of Duke Ellington's "Prelude to a Kiss." The cohesive, hard-swinging quintet that Mathews leads on this LP employs Charles Davis on baritone sax, Eddie Kahn on bass, Albert "Tootie" Heath on drums, and a young Freddie Hubbard on trumpet. Hubbard, who was only 25, brings not only fire, guts, and passion, but also a big, highly appealing tone. One that owed a lot to Clifford Brown and Fats Navarro, but still quite distinct and original.

With Doin' the Thang, Mathews' recording career as a leader was off to an impressive start.

Condition
Media: Mint (M)
Sleeve: Mint (M)

Our Grading Standards
We grade all vinyl using the Goldmine standard:
Mint (M): Perfect, unplayed condition.
Near Mint (NM): Nearly perfect with minimal signs of handling.
Very Good Plus (VG+): Shows light signs of play but plays with minimal surface noise. The most common grade for collectable vinyl.
Very Good (VG): Noticeable marks and some surface noise, but still an enjoyable listen.
Good (G): Heavy wear — for collectors only.

All records are graded visually and by play. Media and sleeve are graded separately.

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