Alefa Madagascar ! Salegy, Soukous & Soul From The Red Island 1974-1984 (Vinyl 2xLP)
Tracklist ▼
- Andosy Mora
- Moramora Zoky
- Mama
- Mahonena
- Amboliako Fary
- Izahay Mpamita
- Ngàö¬ma Hoe
- B. B. Gasy
- Jazz Sega
- Farahy
- Soaliza
- ¬ª?©dy ¬ª?©dy (Tsy Mentsy Mandroso)
- Razana Tsy Ho Meloko
- Rapela
- Andeha Hanarato
- Oa Niny àö?§
- Tokatoka
- Zaka Tiako Mamolaka Keriko
First ever compilation documenting the heyday of Malagasy music during the 1970s and 1980s. Includes sleeve notes by legendary producer Charles Maurin Poty and writer Banning Eyre. Strut continues its essential compilation series of Indian Ocean sounds with Alefa Madagascar, the first compilation to document the unique culture of salegy, soukous and soul on the island during the '70s and '80s.
Originating as far back as the 15th Century through folkloric ceremonial music and an a cappella chanting style called antsa, salegy emerged as a fast-tempoed local dance style based on 6/8 and 12/8 rhythms. By the '60s, radio was bringing in new sounds from the Congo, Mozambique, South Africa and Kenya and Jean Francois de Comarmond's Discomad label championed a new generation of artists breaking the mould with their own new fusions of styles as electric instruments replaced the traditional. The strong call-and-response dialogues, rich vocal choruses and rolling triplet feel in the rhythm sections all boasted a unique Malagasy sensibility and singles started selling tens of thousands of copies, rivalling any foreign music at the time. Local pop was sometimes referred to as tapany maintso (half-green) a reference to the stickers on singles from the other key label in Madagascar, Kaàö?òamba, many of them produced by Charles Maurin Poty whose work was crucial in shaping the emerging genre.
Alefa Madagascar showcases the rich variety of sounds during this heyday of Malagasy music: Roger Georges' Mama and Jean Kely et Basth's Andosy Mora bring the raw energy of salegy, influential band Los Matadores drop military drums and Hammond soul in the classic Andeha Hanarato; Mahaleo's Izahay Mpamita showcases the band's powerful folk sound, a crucial voice emerging from the Rotaka farmer and student protests of 1972, while Terak'Anosy Group work around a stomping Congolese guitar groove. The era paved the way for many of the household names of Malagasy music today including Jaojoby, D'Gary and Lego.
Condition
Media: Mint (M)
Sleeve: Mint (M)
Our Grading Standards
We grade all vinyl using the Goldmine standard:
Mint (M): Perfect, unplayed condition.
Near Mint (NM): Nearly perfect with minimal signs of handling.
Very Good Plus (VG+): Shows light signs of play but plays with minimal surface noise. The most common grade for collectable vinyl.
Very Good (VG): Noticeable marks and some surface noise, but still an enjoyable listen.
Good (G): Heavy wear — for collectors only.
All records are graded visually and by play. Media and sleeve are graded separately.
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